This book is really more a reference encyclopedia than a textbook.
The author is clearly very knowledgeable about light theory, the history of light, and the different types of lights that are available. I suspect much of the basic information provided on the different construction of various light bulbs will neither be of interest nor much use to most photographers.
However, there are several valuable chapters such as “Light and Shade” and “Controlling Light” that are well worth reading. In addition the sections on hard and soft light, direct and indirect light are very useful.
I feel this is an excellent supplementary text for anyone learning photographic lighting. For schools teaching photography, I’d recommend they include this book in their libraries.
I consider this book an excellent introduction for anyone who is starting to do serious photography and for the occasional serious photographer who may not have previously done portrait photography.
The author opens with basic information about equipment and camera settings. I like that he emphasizes that an expensive camera is not a requisite for successful imaging. He then discusses composition including how to direct a model, elements of lighting, and some basic rules of composition. There is a discussion of the merits and techniques of street photography. The last section discusses photo editing.
In addition to my opening comment, this would be a good text for an Introductory Course at the high school or college level.
This book is the complete package. It contains a DVD that provides all three versions (Windows, MAC, and Unix) for GIMP. In addition there is an introduction to GIMP 2.8 which is currently under development. And last, but hardly least, the images used in the book’s tutorials are included.
The book progresses in an A to Z fashion in teaching one about GIMP. In addition to the “how to” instruction, there is sufficient, but not overwhelming, information on theory, the “why” part of processing.
GIMP is the “high end” of free photo processing software and approaches Adobe CS 5 in its capabilities. Even if you are not on a budget, consider GIMP. And if you do, or if you are currently using GIMP, add this book to your library. You’ll be glad you did.
I have used the 3rd edition of this book when I teach. The 4th Edition improves on the earlier version and brings one “up-to-date.” This is a text I’ll continue to recommend.
The authors introduce the book with some basic information on the physics of light. If you really want to know the how and the why of lighting, this information is important. In my opinion, too often photographers know some basic lighting formulas such as for lighting portraits but they don’t know why these formulas work. The why becomes very important when one encounters a situation that varies from the usual.
As everyone knows, a photographic image is two dimensional. The proper use of lighting is critical to provide an illusion of three dimensions. Another important facet of lighting is the avoidance of unwanted reflections, particularly when photographing a shiny object. Do you ever photograph a black object on a black background? How to do well in all of the preceding situations, and in many more, are explained.
This is a book that all photographers should have in their library.
The major portion of the book covers the “Rules” of good photographic composition. The author performs competently as he progresses through the various chapters. The text is clearly written, and examples abound.
But the very best has been saved till the end; “Epilogue: Where Do You Go from Here? Like the author, I am an advocate of “having a game plan” and being prepared. In the earlier pages the author speaks of scouting out one’s subject and determining different perspectives. On pages 126 and 127 you will find six very different images of the San Francisco Bay Bridge. Clearly photographic evidence of the truth of the author’s instruction.
I teach photographic composition to beginning photographers and I’ll be using this book in my next class.
Charles Heisterkamp, III, M.D.
Highly recommended I have been teaching Photoshop Elements since version 7 and have used Ms. Brundage’s series of books for version 7, 8, and 9. This book is an A to Z manual on Photoshop Elements. One feature I particularly like is that the author lists a number of websites for additional material such as plug-ins. Also, she will reference a book not published by O’Reilly, an action for which both the author and publisher deserve credit.
As the author states in her introduction, this is a how and when book. The book instructs one how to use various techniques and tools, as well as when not to use them. In addition to the book content, one can go to the O’Reilly website to download additional material that is pertinent so that one can better complete various exercises in the book.
The bottom line; if you use Photoshop Elements 10, buy this book.
Charles Heisterkamp, III, M.D.
LESS ORDINARY – http://www.lessordinary.org.uk/
“By taking the time to browse through the posts here, you’ll find plenty of beautiful photographs, thoughtful reflections and inspirational content, as I communicate my deep passion for specialness.”
Photography, Books, an unusual Blog. Worth a visit. You might be inspired.
Charles Heisterkamp, III, M.D. – Photographer
The Art of Posing, Lou Jacobs, Jr.
This is a good book. The author has assembled eleven photographers who, in 10 chapters, discuss their approach to portrait photography. The various authors discuss the how and why of their approach to portraiture. The book is filled with photographs of young and old, female and male, single and group portraits. Images include both color and black and white photographs. Reviewing the images provides a gallery of posing suggestions. While there is discussion on the importance of lighting, if I were the author, I’d add a chapter specifically on lighting techniques generously illustrated with lighting diagrams. As an old Chinese philosopher said, “Seeing it once is better than being told one hundred times.” This book is both interesting and educational. I will be recommending it to members of my class on composition.
Charles Heisterkamp, III, M.D.,